A hub for Mark Weber’s musical work and updates.

Dark, moody horizontal band of soft clay-model shapes in deep charcoal and muted teal, evoking an abstract studio scene at dusk.

Stories

Kendrick Lamar’s Good Kid, M.A.A.D City: A Lyrical Reading

Kendrick Lamar’s good kid, m.A.A.d city works as a coming-of-age story, a crime narrative, a family portrait and a spiritual reckoning at the same time.…

Why the Mellotron Still Sounds Like Human Memory

There are instruments that impress me with their precision, and then there are instruments that seem to remember something before they have even played a note.…

Live Albums That Caught Great Bands at Full Flight

The best live albums that captured a band in their prime do more than preserve a successful tour. They reveal how musicians think under pressure, how a crowd…

What Gospel Taught Me About the Human Voice

I used to hear vocal harmony as decoration. It was the pleasant layer around a lead singer, the polished lift in a chorus, or the familiar stack of parts that…

Lessons From My Own DIY Indie Rock Recordings

The first song I ever committed to a hard drive was recorded on a borrowed dynamic mic, a cracked copy of GarageBand, and a borrowed electric guitar with a…

Why Fleetwood Mac's Rumours Production Still Sounds So Fresh

When the needle drops on "Dreams" or "Go Your Own Way" today, the records still feel closer to a live conversation than a polished artefact. The 1977 album…

Ten songs that quietly rewrite their own rhythm

Growing up in suburban Sydney, I biked to the local record store on Parramatta Road with whatever pocket money I could scrounge. Some weeks I came home with a…

How I Bought My First Guitar and Wrote My First Song

I still remember the afternoon I decided enough was enough. I'd been humming melodies into a voice memo app for months, and every time I played back those…

Finding peace in the ambient works of Brian Eno

I still remember the arvo I first put on Ambient 1: Music for Airports. I was on a Fitzroy verandah, the cicadas competing with a distant tram, and the record…

Exploring the Modal Architecture of Miles Davis's So What

Few recordings carry the gravitational pull of So What from Kind of Blue. Since its release in 1959, the tune has become a kind of doorway into jazz for…